Update: Recent archaeology and antiquities related news

Below please find a selection of news items from the past few weeks dealing with archaeological discoveries and research, antiquities and ancient art that we felt to be of special interest. All links will open in a new tab or window. Enjoy –

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collage art, Christof Maupin art, amphora

Articles of interest from our sister blog

As many of our regular readers know, I started a “sister blog” a few months ago, dealing with my exploration of the intersection of art from the past and art from the present, and specifically how this impacts my own work as an artist. As so much of my work is impacted by art from the distant past, I thought it worth sharing some of my posts from the other blog site. Comments welcome:

Some Thoughts on the Persistence of Classical Imagery

https://pastpresentartsandcrafts.wordpress.com/2017/07/21/some-thoughts-on-the-persistence-of-classical-imagery/

A few thoughts on the art of printmaking, views of antiquity and modern prints

https://pastpresentartsandcrafts.wordpress.com/2017/07/04/a-few-thoughts-on-the-art-of-printmaking-views-of-antiquity-and-modern-prints/

The art of enameling, ancient and modern

https://pastpresentartsandcrafts.wordpress.com/2017/06/21/the-art-of-enameling-ancient-and-modern/

A case study in reinterpreting an old technique: English slip decorated earthenwares and modern counterparts (including my own)

https://pastpresentartsandcrafts.wordpress.com/2017/06/09/a-case-study-in-reinterpreting-an-old-technique-english-slip-decorated-earthenwares-and-modern-counterparts-including-my-own/

Broken Things

https://pastpresentartsandcrafts.wordpress.com/2017/05/30/broken-things/

 

NEWS ITEM: Danish Bronze Age glass beads traced to Egypt

This is a truly amazing piece of research with broad implications. The international team involved plans next to determine if these trade routes for valued materials continued into the later Bronze Age and beyond. Here is the article in the online journal ScienceNordic.com, including a link to the original research in Danish (opens in a new window or tab): http://sciencenordic.com/danish-bronze-age-glass-beads-traced-egypt

UK Portable Antiquities Scheme Releases 2013 Annual Report

The UK’s Department of Culture, Media and Sport, along with The British Museum, have issued the Portable Antiquities Scheme’s 2013 Annual Report. The Report shows how, more than ever,  this model of public participation in the finding and recording of archaeological data can have huge benefits to finders, museums and the broader base of archaeological and historical knowledge. It is a model that should be emulated by many other countries in and beyond Europe.

Some amazing key facts from the Report –

* One million finds have now been recorded by the Portable
Antiquities Scheme (PAS) since 1997.
• 80,861 PAS finds were recorded on the PAS database in 2013 (finds.org.uk/database).
• 90% of finds were found by metal-detectorists.
• 91% of PAS finds were found on cultivated land, where they are susceptible to plough damage and artificial and natural corrosion processes.
* The great majority of PAS finds are returned to the finder.
• 993 Treasure cases were reported. It is hoped that many of these will be acquired by museums for public benefit.
• Important new Treasure finds included eight Bronze Age gold bracelets from Woollaston, Gloucestershire (2013 T805), a Civil War coin hoard from Staveley, North Yorkshire (2013 T635) and a post-medieval silver ewer from Kingston Russell, Devon (2013 T476).
It is worth noting here that if about 90% of PAS finds are returned to the finders, in just 2013 this would amount to over 70,000 individual objects being available to enter the marketplace for antiquities and related items. Those who claim, with no actual proof, that the antiquities market is flooded with looted objects should consider this number. In the space of a decade this would approach nearly a million objects, many tens of thousands of them being marketable Celtic, Roman, Saxon and other antiquities. All perfectly legal under British and international law.
The PAS 2013 Report is available to download or view in PDF format here – http://finds.org.uk/documents/annualreports/2013.pdf

Ancient Beads in Faience, Glass, Stone & Metal

The humble bead has been a part of human decoration and self adornment for as much as 100,000 years. The earliest examples, from around the Mediterranean shores of the Near East and North Africa, were made from shell and bone. With the rise of urban civilizations and new technologies beads were developed in new materials. Utilizing examples from our own web stores we will examine several examples from Egypt, Phoenicia, the Roman Empire and beyond, spanning about 1,500 years.

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The earliest beads on our website are these Egyptian faience beads, dating to the Third Intermediate Period or Late Dynastic Period, Circa 1,070-332 BCE. Egyptian faience, combining many of the qualities of both ceramic and glass but made primarily from ground quartz, had been made into beads since the 5th Millennium BC.

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This beautiful string of densely packed discoid faience beads dates to the Ptolemaic or early Roman period in Egypt.

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This Phoenician rod-formed glass eye bead, spherical, with a single blue and white “eye” protruding from a brick red matrix, dates to the 6th – 4th Century BCE. Included with several other ancient glass objects, this is the oldest glass bead on our website. Eye beads, thought useful in keeping away evil, have a long history from the late 2nd Millennium BC through the modern era.Image

Like most ancient Roman and later glass beads, this Roman mosaic glass bead of the 1st or 2nd Century AD was made by “rod forming”; that is, by forming the bead at the end of a metal rod, thus creating the central hole for stringing, and working the object in the flame. This object may well have been made at Alexandria in Egypt, the greatest center for glass working in the early Roman period.

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This lovely group of Roman crumb beads was made by rolling a hot glass bead of very dark color over a heated stone or metal surface with small chips of red, yellow, blue and green glass scattered on it. The hot glass bead picked up the chips and the object was repeatedly heated and rolled on the surface again until the chips were basically flush with the bead.

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Roman bead makers, like others before them, often made beads in the form of pendants. This group of 3 beads in a variety of shapes and colors, one of which is also a modified crumb bead, is a good example.

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Not all Roman beads were glass. Beads were just as often made from humble materials, including stone (common, semi-precious or precious), shell, bone or metal. 3 of the 4 beads in the group above are made from stone. One, with simple striations for design, is of soapstone, one of lapis lazuli and another of what appears to be malachite.

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This large bronze bead, part of a group of 3 Roman bronze Jewelry elements offered together on our website at is a good example of pre-Roman practices of bronze jewelry making continuing into the Roman period. This example comes from Roman Spain, where bronze jewelry elements, such as beads, were common in the Iberian and Iberian-Celtic cultures.

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After the western Roman Empire had collapsed and slowly morphed into various early Medieval European states, glass making did of course continue. But it was in the east, in the Byzantine Empire, direct descendant of ancient Rome, that glass making, including beads, continued basically uninterrupted and indeed flourished. New forms evolved for new uses. The Byzantine bead illustrated here shows the continuity of form from the previous thousand years of glass bead making but is distinctly Byzantine in decoration.

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Of course, glass bead making evolved again and continued to flourish in the Islamic period, from the 8th Century AD right up to the mid-20th Century in some specific places. Although the item illustrated here is a Medieval Islamic game piece, it was made by a bead maker and is really no more than a modified bead.

A few thoughts about collecting ancient beads:

  1. Avoid buying from so-called “dealers” on the major web based auction sites (you know who I mean). Deal only with reputable dealers belonging to a major antiquities trade association.
  2. Glass beads in particular are notoriously difficult to date. This is because bead making was basically a conservative trade; why change styles much when something works? Styles and even chemical compositions of raw glass remained little changed for long periods of time. In addition, some decorative styles were reinvented or emulated centuries after they had gone out of style. Some dealers are simply lazy and fail to recognize subtleties that can correctly date glass beads. Before buying, ask the dealer to provide comparative data, as we do on our website.
  3. Do your homework. There are some excellent references to be found on both faience beads and glass beads. Buy the books before you buy the beads. Here are 2 I highly recommend —
    •  Hidden Histories, Exhibition Catalogue. Marwa Helmy, University College London, Petrie Museum of Egyptian Archaeology, 2008.
    • Ancient Glass in the Israel Museum, Beads and Other Small Objects. Israel Museum, Jerusalem, 2001.

You may find more ancient beads for sale on our web stores at Etsy and eBay, here –

Visit our eBay Store: http://www.ebay.com/usr/clioantiquities

Visit Our Etsy Store: https://www.etsy.com/shop/ClioAncientArt

Clio Ancient glass

Ancient Flame Worked & Rod Formed Glass Objects

Not all ancient Roman glass was blown glass. Using techniques much like today’s studio glass flame working or bead making, Roman artisans created a wide range of small objects, including beads, amulets, miniature vessels, jewelry inserts, bangles, gaming pieces for board games, just to name a few. Many mostly Roman but also pre-Roman, Byzantine and early Islamic, may be found on the ancient glass pages on our website. A few images are included here. Here are  links –

http://www.clioancientart.com/catalog/c13_p1.html

and

http://www.clioancientart.com/catalog/c24_p1.html

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