NEW ITEMS IN OUR ONLINE SHOPS…

We’ve added some new items to our online shops, including the following:

In our Amazon.com bookstore, we’ve added a couple of new titles –

In our Etsy shop, some fine antiquities-related 19th Century prints –

A few additions to our online shops

Here are images, with links, to some recent additions to our Etsy and eBay online stores. Links will open in a new window or tab.

 

 

Antiquities authentication and valuation: the thrill of examining long forgotten collections

It’s always a thrill when a new customer contacts me out of the blue to examine a group of objects for purposes of authentication or valuation or for help with bringing the collection up for sale. Often these are objects that have been passed down from parents or grandparents, and just as often the current owner has no way of knowing if the objects are genuine antiquities, fakes or modern tourist pieces.

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Egyptian scarabs, amulets and beads forming part of a large California collection formed in the 1940s and 50s

 

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From the same old California collection, a group of fine Roman intaglio gemstones.

I do sometimes have to disappoint a customer, informing them that what they thought was a collection of Egyptian mummy masks, for example, is really cheap “airport art” made for sale to European or American tourists fifty years ago. But just as often I find myself privileged to examine their collections in their homes, sometimes from dusty boxes that haven’t been opened in many years or in the recesses of dark basements or garages. Very often the task can be completed simply by examining digital images.

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A large and exceptional Etruscan terracotta head, probably depicting Mercury. Northern California collection formed in the 1960s.

 

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Egyptian Middle Kingdom amethyst necklace. Southern California private collection, 1950s.

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Superb 2nd Century AD Roman bronze Isis.

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Well preserved Greek South Italian terracotta antifex. 4th Century BC.

I can’t begin to count the number of objects or large groups of objects I’ve examined in person or online or actually handled. Enjoy these images of just a handful of the exceptional antiquities and groups of objects I’ve had the good fortune to work with over the past eight years. Please feel free to contact me if you need my antiquities consulting services, for authentication, valuation or help with bringing the objects to sale. Our standard rate is $50 per hour or fraction thereof. We also offer consignment of your objects for sale with a 25% commission.

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Late Dynastic Egyptian stone head of a Pharaoh.

 

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Part of a very large Colorado private collection of Holy Land oil lamps formed in Israel / Palestine / Jordan in the 1960s.

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Roman marble head of a Putti or Cherub, detached from a larger sculpture.

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A small Roman bronze figure of Eros.

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A small pottery pyxis, Athens, 4th Century BC.

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Freshly cleaned of dust in a basement where they’d lain for 40 years, a group of 3 well preserved Roman glass vessels.

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This Week’s Featured Antiquity: A Roman Holy Land Pottery Oil Lamp

Our object of the week is an unusual type of pottery oil lamp dating from the later years of the Roman Empire, not long before the full transition of the Empire’s eastern half to what we now call the Byzantine Empire. This general type of pottery lamp seems to have been manufactured at workshops in northern Syria, and possibly further south into what is now Lebanon, over a period of nearly 200 years. Our example seems to date to the earliest phase of production and features some quite unusual characteristics, outlined below.

The most obvious and uncommon aspect of this lamp is the long, pointed handle. Most late Roman and early Byzantine period lamps manufactured in the Near East feature short handles of spike or thumb shape. The long, rather delicate form of this lamp’s handle is both aesthetically pleasing and uncommon.

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The other interesting aspect of this lamp is its combination of decorative elements. The raised pellets around the central fill hole were a common theme on this broad category of lamps over a long period. But the cross-like image in low relief at the rear of the lamp, and continuing upward onto the handle, is puzzling. At first glance, this appears to be a Patriarchal cross, a type featuring two cross bars over the central vertical bar. But this type of cross did not appear in any numbers until the 9th and 10th Centuries in the Byzantine Empire. An alternative explanation might be that this was an attempt to depict the so-called “Tau” cross, the simple T-shaped crosses on which criminals were sometimes executed in the Roman Empire. But the image is still vague. In our opinion, any attempt to assign this cross-like relief image to a specific type of Christian iconography is no more than guess work.

Just as baffling is the maker’s mark or decorative element on the lamp’s flat base, shown below. Connected to a stylized palm frond that runs the length of the nozzle’s underside is a radiating sixteen pointed element set inside concentric raised circles with simple hatching between them. At first glance, this starburst design looks for all the world like the Union Jack on flags from Great Britain. But closer inspection shows another set of eight spokes in much lower relief between the eight main spokes. Is this a maker’s mark or is it simply a pleasant design? And in either case, does it carry any early Christian symbolism, as it resembles both a cross and a Chi-Rho symbol or Christogram?

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In view of the date at which this piece was made, around 400 AD, and the combination of decorative elements (a possible cross on the upper surface, a palm frond – an image re-purposed from Pagan antiquity – and the cross-like design on the base,) it seems most likely that this lamp was made for sale to Christian customers. However, it is worth noting that at least in the Levantine region, pottery lamp makers did not seem to favor a specific category of client. Whether Christian, Jewish, Samaritan or Pagan, lamp makers seem to have created products for all types of customers and with all types of imagery.

This lamp is available in our eBay store here – http://www.ebay.com/itm/Late-Roman-Pottery-Oil-Lamp-AD-400-Holy-Land-/132102302002?hash=item1ec1e92932:g:BMoAAOSwCGVX8ENH

and in our Etsy store here – https://www.etsy.com/listing/292086487/late-roman-pottery-oil-lamp-ad-400-holy?ref=shop_home_active_11

Ancient coins added to our Etsy store

We’ve added a few nice Roman Imperial and Roman Provincial coins to our Etsy store. Here are images and links (links open in a new window or tab):

Roman Empire, Bronze Follis of Diocletian, AD 284-305, Treveri Mint, 29 mm. Link: https://www.etsy.com/listing/500901108/roman-empire-bronze-follis-of-diocletian?ref=shop_home_active_4

Roman Provincial Coinage, Pisidia, Antioch, Phillip the Arab, AD 244-249, Bronze 25 mm. Link: https://www.etsy.com/listing/514393637/roman-provincial-coinage-pisidia-antioch?ref=shop_home_active_3

Roman Empire, Silvered Antoninianus of Probus, AD 276-282, Kyzikos Mint. Link: https://www.etsy.com/listing/501122128/roman-empire-silvered-antoninianus-of?ref=shop_home_active_2

Roman Empire, Silvered Bronze Follis of Licinius II, AD 316-324, Nicomedia Mint. Link: https://www.etsy.com/listing/514617937/roman-empire-silvered-bronze-follis-of?ref=shop_home_active_1

Of course, we currently have many more ancient Roman, Greek and Byzantine coins available in our Etsy shop. Thanks for looking.

Roman Provincial Coinage: A Brief Review

Roman provincial coinage is an area of study in which non-academics, especially avid collectors and dealers, can make real contributions to the study of the ancient Roman world. While many thousands of different provincial types or variants are known, new ones are still routinely being discovered.They offer a much wider range of imagery than the Roman Imperial issues, with reverses that touch upon religious, economic and social phenomenon, political events and foreign relations. The images used in this article are Roman provincial coins sold by Clio Ancient Art over the last several years.

Roman provincial coins, Antioch coin, Philip II, ancient coins, Tyche

Syria, Antioch, Bronze 29 mm of Philip II, AD 247-249, with turreted, draped & veiled bust of Tyche right, leaping ram above, star below. Photo Credit: Clio Ancient Art and Antiquities.

The Roman provincial coin issues dating between the late 1st Century BC and the end of the 3rd Century AD were initially struck in both the western and eastern portions of the Empire, from points as distant from one another as Rhesaina in the province of Mesopotamia to Emerita Augusta near the Atlantic coast of Hispania. But by the end of the 1st Century AD, provincial coinage had become an exclusively eastern phenomenon, with coins being struck at mints in southeastern Europe, Greece, Asia Minor, Syria/Palestine and Egypt.

Roman coins, ancient coins, Augustus, antiquities

Bronze 24 mm coin of Julia Traducta in Spain, with head of Augustus. Photo Credit: Clio Ancient Art and Antiquities.

Most Roman provincial coins were issued in the name of individual cities or leagues of cities. A city could receive permission from the Roman Senate or the Emperor to issue coins, and these would mainly be used as small change, supplementing the official coinage of the Roman state apparatus struck at Rome and a few other Imperial mints. City coinages were nearly always bronze.

Other provincial coins were literally that: coins issued by a particular province, such as Syria or Egypt. These coins usually included silver issues of several values based on the Tetradrachm, as well as a range of bronze denominations. These currencies were intended to be sealed into their provinces, creating a closed economic system.

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Egypt, Alexandria. Potin Tetradrachm of Diocletian, AD 284-305.

Victory (Nike) advancing right, holding wreath and palm branch. Photo Credit: Clio Ancient Art and Antiquities.

Roman Syria, Roman Empire, Roman Coins, Ancient Coins

Syria, Antioch. Bronze 30 MM of Phillip I. 244-249 AD. Laureate and cuirassed bust of Phillip facing left holding spear and shield. Photo Credit: Clio Ancient Art and Antiquities.

Both Alexandria in Egypt and Antioch in Syria had continuous histories of coin production in both bronze and silver, lasting from the time of Augustus until AD 298. The later Egyptian teradrachms were struck in an alloy called Potin, comprised of bronze, tin and lead. This alloy patinates in very particular ways during burial in the ground, resulting in some especially beautiful surfaces on the coins.

Provincial coins are an endless source of information and enjoyment. Because most were struck in bronze, even large and very well preserved examples sell for very reasonable prices, especially when compared to Imperial bronze coins of similar size and quality.

Roman Provincial, Nicopolis, Roman coins, ancient coins, Clio Ancient Art Antiquities

Moesia Inferior, Nicopolis Orichalcum 5 Assarion (28 mm) of Gordion III, AD 238-244 Reverse of Demeter standing, facing left, holding torch and ears of grain, VP CAB MODECTOV NIKOPOLEITWN PROC ICTR (in Greek). Photo Credit: Clio Ancient Art and Antiquities.

To learn more about Roman provincial coins, we recommend the following –

  • The Roman Provincial Coinage Initiative online. Organized through Oxford University, the site includes an excellent overview of Roman provincial coins and an extensive database with good, clear images (over 19,000!) and descriptions. http://rpc.ashmus.ox.ac.uk/intro/
  • The Wildwinds ancient coin site online. Although Wildwinds combines Greek with Roman Provincial coins, they are easily distinguished through use of an alphabetical list of issuing authorities, a geographically ordered index and other tools for narrowing a search. http://wildwinds.com/coins/greece/i.html

25% Off through 1/31 at Clio’s eBay Store

Hello Clio Customers, Friends and Fans:

We are offering a huge 25% off of everything in our eBay store, including antiquities, ancient coins and books, through January 31. It’s been years since we’ve offered such a large discount, so please take a look. Pay the listed price and your 25% will be promptly refunded to you via PayPal. This offer is for our eBay store only, not our other selling platforms. There are currently 82 items listed, ranging in price from $12 to $450.

Find us on eBay here – http://www.ebay.com/usr/clioantiquities

Thanks for looking and best wishes.

Christof M. Maupin
Clio Ancient Art and Antiquities
Wilmington, NC 28403

Special Offer in our Etsy Store: 15% Off!

We’ve created a customer Coupon for use in our Etsy store. Receive 15% off every item over $25 between now and January, 2017.

Use coupon code JAN20172 at checkout to receive your discount!

And, if you make a purchase between now and January 31 you’ll also receive an email from Etsy with another discount coupon for use in our shop good for 15% off a future purchase, valid through June 30, 2017.

Visit our Etsy shop at: https://www.etsy.com/your/shops/ClioAncientArt

A Sample of Our Sold Antiquities from 2016

The images below represent a good sample of the many ancient Egyptian, Greek, Roman, Byzantine, early Islamic and other Mediterranean and related antiquities and ancient coins sold by Clio Ancient Art during 2016. Some of our regular customers reading this blog entry might recognize pieces they now own. As always we have many more items available in our online stores:

Etsy: https://www.etsy.com/shop/ClioAncientArt

eBay: http://www.ebay.com/usr/clioantiquities

And don’t forget our Amazon book store, with many excellent and hard to find antiquities related titles: www.amazon.com/shops/ClioAncientArt

 

This Week’s Featured Object: Medieval Islamic Glass Bangle

Our featured object this week is a fine example of a type of personal adornment that was popular in the Near East, particularly in Egypt, the Levantine coastal region (today’s Israel / Palestine and Lebanon), and greater Syria, including what is now southwestern Turkey, from the Hellenistic period right through the Roman, early Byzantine and Islamic periods. This glass bangle was made during the 13th to 15th Century, probably in what is now Syria or Israel / Palestine. This was an era in which Islamic glass artists dominated, with their products being highly sought after both in Europe and in the East. Their technical achievements would not be surpassed for a few centuries more, with the Venetian revival of glass making techniques from classical antiquity. This example is of rather more humble origins than the elaborate vessels and mosque lamps made in Medieval Islamic Syria and Egypt, but is still beautiful.

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Simple monochrome glass bangles first became common in the region during the later part of the Hellenistic period. During the Roman era, particularly in Egypt, these came to be made from multiple colors of glass. With only minor interruption, these continued into the early Byzantine period. They became really widespread during the Islamic era and were still being made at the small glass workshops in Hebron right up through the end of Ottoman rule in 1918. Bangles were fast and easy to make: a few chips of different colors of glass could be melted into a thick cane that would form the background or base color. The cane would then be stretched and one end attached to the other, before polishing the surface in the flame and evening out any irregularities. In later examples, from the 17th Century through to the early modern era, an additional cane of one or more colors twisted together in a spiral would often be added to the outside of the bangle or to both the inside and outside edges. This additional component is a sure sign of a very late date for Islamic bangles.

As a cautionary note to readers, there are many “low end” antiquities dealers, particularly online, who occasionally offer objects of this type and invariably refer to them as Roman, rather than Islamic. This is simple intellectual laziness and indifference to the objects themselves. There is a considerable body of published work available to assist anyone with an interest in ancient or medieval glass with distinguishing glass bangles and other objects from one time period to another. But lazy or dishonest sellers will simply label glass bangles as Roman, when the great majority of those on the market are in fact Islamic.

One printed resource that we highly recommend is the following:

Maud Spaer, Ancient Glass in the Israel Museum, Beads and Other Small Objects, The Israel Museum, Jerusalem, 2001.

Within this work, see catalog number 471 for a very similar example (also illustrated in color on Plate 35), and Figure 85 for a group of similar examples of the 14th-15th
Century from the Islamic cemetery at Tel Dan.

This outstanding volume not only addresses ancient, medieval and post-medieval glass bangles in detail but is also an invaluable reference for dealing with items such as coin weights, amulets and beads. Beads can be especially difficult to date and Spaer’s work provides valuable technical data, particularly with regard to visible evidence of manufacturing techniques, to help the reader distinguish very similar types from one another.

This object is available on our eBay store here – http://www.ebay.com/itm/Medieval-Islamic-Multi-Colored-Glass-Bangle-/132036706096?hash=item1ebe003f30:g:CMoAAOSwBLlVYku~

and on our Etsy store here – https://www.etsy.com/listing/261524237/medieval-islamic-multi-colored-glass?ref=shop_home_active_18